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How To Make Animated Video In Photoshop

Written By Saturday 2 July 2022 Add Comment Edit
  1. Photoshop User Guide
  2. Introduction to Photoshop
    1. Dream it. Make information technology.
    2. What'southward new in Photoshop
    3. Edit your first photo
    4. Create documents
    5. Photoshop | Common Questions
    6. Photoshop system requirements
    7. Migrate presets, actions, and settings
    8. Get to know Photoshop
  3. Photoshop and Adobe services
    1. Work with Illustrator artwork in Photoshop
    2. Substance 3D Materials for Photoshop
    3. Photoshop and Adobe Stock
    4. Utilize the Capture in-app extension in Photoshop
    5. Artistic Cloud Libraries
    6. Creative Deject Libraries in Photoshop
    7. Utilize the Affect Bar with Photoshop
    8. Grid and guides
    9. Creating actions
    10. Undo and history
  4. Photoshop on the iPad
    1. Photoshop on the iPad | Common questions
    2. Get to know the workspace
    3. Organisation requirements | Photoshop on the iPad
    4. Create, open, and export documents
    5. Add photos
    6. Work with layers
    7. Draw and paint with brushes
    8. Make selections and add together masks
    9. Retouch your composites
    10. Work with aligning layers
    11. Adjust the tonality of your composite with Curves
    12. Employ transform operations
    13. Crop and rotate your composites
    14. Rotate, pan, zoom, and reset the canvas
    15. Piece of work with Type layers
    16. Work with Photoshop and Lightroom
    17. Get missing fonts in Photoshop on the iPad
    18. Japanese Text in Photoshop on the iPad
    19. Manage app settings
    20. Bear upon shortcuts and gestures
    21. Keyboard shortcuts
    22. Edit your paradigm size
    23. Livestream as you lot create in Photoshop on the iPad
    24. Correct imperfections with the Healing Brush
    25. Create brushes in Capture and utilise them in Photoshop
    26. Work with Photographic camera Raw files
    27. Create and work with Smart Objects
    28. Adjust exposure in your images with Dodge and Burn
  5. Photoshop on the web beta
    1. Common questions | Photoshop on the web beta
    2. Introduction to the workspace
    3. Arrangement requirements | Photoshop on the web beta
    4. Keyboard shortcuts | Photoshop on the web beta
    5. Supported file types | Photoshop on the web beta
    6. Open and work with cloud documents
    7. Collaborate with stakeholders
    8. Apply limited edits to your cloud documents
  6. Deject documents
    1. Photoshop cloud documents | Common questions
    2. Photoshop cloud documents | Workflow questions
    3. Manage and work with cloud documents in Photoshop
    4. Upgrade deject storage for Photoshop
    5. Unable to create or salvage a cloud document
    6. Solve Photoshop cloud document errors
    7. Collect cloud document sync logs
    8. Share admission and edit your cloud documents
    9. Share files and comment in-app
  7. Workspace
    1. Workspace basics
    2. Learn faster with the Photoshop Discover Console
    3. Create documents
    4. Use the Impact Bar with Photoshop
    5. Tool galleries
    6. Performance preferences
    7. Use tools
    8. Touch gestures
    9. Bear on capabilities and customizable workspaces
    10. Technology previews
    11. Metadata and notes
    12. Default keyboard shortcuts
    13. Impact capabilities and customizable workspaces
    14. Place Photoshop images in other applications
    15. Preferences
    16. Default keyboard shortcuts
    17. Rulers
    18. Show or hide non-press Extras
    19. Specify columns for an image
    20. Undo and history
    21. Panels and menus
    22. Place files
    23. Position elements with snapping
    24. Position with the Ruler tool
    25. Presets
    26. Customize keyboard shortcuts
    27. Grid and guides
  8. Web, screen, and app design
    1. Photoshop for design
    2. Artboards
    3. Device Preview
    4. Copy CSS from layers
    5. Slice spider web pages
    6. HTML options for slices
    7. Modify slice layout
    8. Work with spider web graphics
    9. Create web photo galleries
  9. Image and colour basics
    1. How to resize images
    2. Work with raster and vector images
    3. Image size and resolution
    4. Learn images from cameras and scanners
    5. Create, open, and import images
    6. View images
    7. Invalid JPEG Marker error | Opening images
    8. Viewing multiple images
    9. Customize colour pickers and swatches
    10. Loftier dynamic range images
    11. Match colors in your image
    12. Convert between color modes
    13. Color modes
    14. Erase parts of an image
    15. Blending modes
    16. Choose colors
    17. Customize indexed color tables
    18. Image information
    19. Distort filters are unavailable
    20. Near color
    21. Colour and monochrome adjustments using channels
    22. Choose colors in the Color and Swatches panels
    23. Sample
    24. Color mode or Image mode
    25. Colour cast
    26. Add together a conditional fashion modify to an action
    27. Add swatches from HTML CSS and SVG
    28. Bit depth and preferences
  10. Layers
    1. Layer basics
    2. Nondestructive editing
    3. Create and manage layers and groups
    4. Select, group, and link layers
    5. Place images into frames
    6. Layer opacity and blending
    7. Mask layers
    8. Apply Smart Filters
    9. Layer comps
    10. Move, stack, and lock layers
    11. Mask layers with vector masks
    12. Manage layers and groups
    13. Layer furnishings and styles
    14. Edit layer masks
    15. Excerpt assets
    16. Reveal layers with clipping masks
    17. Generate image avails from layers
    18. Work with Smart Objects
    19. Blending modes
    20. Combine multiple images into a group portrait
    21. Combine images with Auto-Blend Layers
    22. Marshal and distribute layers
    23. Copy CSS from layers
    24. Load selections from a layer or layer mask's boundaries
    25. Knockout to reveal content from other layers
    26. Layer
    27. Flattening
    28. Composite
    29. Background
  11. Selections
    1. Select and Mask workspace
    2. Make quick selections
    3. Get started with selections
    4. Select with the marquee tools
    5. Select with the lasso tools
    6. Select a color range in an image
    7. Adjust pixel selections
    8. Convert between paths and selection borders
    9. Channel basics
    10. Move, re-create, and delete selected pixels
    11. Create a temporary quick mask
    12. Relieve selections and alpha channel masks
    13. Select the image areas in focus
    14. Duplicate, split, and merge channels
    15. Channel calculations
    16. Selection
    17. Bounding box
  12. Paradigm adjustments
    1. Perspective warp
    2. Reduce camera shake blurring
    3. Healing brush examples
    4. Consign color lookup tables
    5. Adjust image sharpness and blur
    6. Understand colour adjustments
    7. Apply a Effulgence/Dissimilarity adjustment
    8. Adjust shadow and highlight detail
    9. Levels adjustment
    10. Suit hue and saturation
    11. Suit vibrance
    12. Arrange color saturation in image areas
    13. Brand quick tonal adjustments
    14. Apply special colour effects to images
    15. Enhance your image with color rest adjustments
    16. High dynamic range images
    17. View histograms and pixel values
    18. Match colors in your image
    19. How to crop and straighten photos
    20. Convert a color image to blackness and white
    21. Aligning and fill layers
    22. Curves adjustment
    23. Blending modes
    24. Target images for press
    25. Arrange color and tone with Levels and Curves eyedroppers
    26. Adjust HDR exposure and toning
    27. Filter
    28. Mistiness
    29. Dodge or burn image areas
    30. Brand selective colour adjustments
    31. Replace object colors
  13. Adobe Photographic camera Raw
    1. Photographic camera Raw system requirements
    2. What's new in Camera Raw
    3. Introduction to Camera Raw
    4. Create panoramas
    5. Supported lenses
    6. Vignette, grain, and dehaze effects in Camera Raw
    7. Default keyboard shortcuts
    8. Automatic perspective correction in Camera Raw
    9. How to make non-destructive edits in Camera Raw
    10. Radial Filter in Camera Raw
    11. Manage Camera Raw settings
    12. Open, process, and save images in Camera Raw
    13. Repair images with the Enhanced Spot Removal tool in Camera Raw
    14. Rotate, crop, and accommodate images
    15. Adjust color rendering in Camera Raw
    16. Feature summary | Adobe Camera Raw | 2018 releases
    17. New features summary
    18. Process versions in Camera Raw
    19. Make local adjustments in Camera Raw
  14. Image repair and restoration
    1. Remove objects from your photos with Content-Aware Fill
    2. Content-Aware Patch and Move
    3. Retouch and repair photos
    4. Correct image distortion and dissonance
    5. Bones troubleshooting steps to fix most issues
  15. Image transformations
    1. Transform objects
    2. Arrange crop, rotation, and canvass size
    3. How to crop and straighten photos
    4. Create and edit panoramic images
    5. Warp images, shapes, and paths
    6. Vanishing Point
    7. Use the Liquify filter
    8. Content-aware scaling
    9. Transform images, shapes, and paths
    10. Warp
    11. Transform
    12. Panorama
  16. Drawing and painting
    1. Paint symmetrical patterns
    2. Draw rectangles and modify stroke options
    3. About drawing
    4. Draw and edit shapes
    5. Painting tools
    6. Create and modify brushes
    7. Blending modes
    8. Add color to paths
    9. Edit paths
    10. Paint with the Mixer Brush
    11. Brush presets
    12. Gradients
    13. Slope interpolation
    14. Fill and stroke selections, layers, and paths
    15. Draw with the Pen tools
    16. Create patterns
    17. Generate a pattern using the Pattern Maker
    18. Manage paths
    19. Manage pattern libraries and presets
    20. Draw or paint with a graphics tablet
    21. Create textured brushes
    22. Add dynamic elements to brushes
    23. Gradient
    24. Paint stylized strokes with the Art History Brush
    25. Paint with a pattern
    26. Sync presets on multiple devices
  17. Text
    1. Piece of work with OpenType SVG fonts
    2. Format characters
    3. Format paragraphs
    4. How to create type effects
    5. Edit text
    6. Line and grapheme spacing
    7. Arabic and Hebrew type
    8. Fonts
    9. Troubleshoot fonts
    10. Asian blazon
    11. Create type
    12. Text Engine error using Blazon tool in Photoshop | Windows 8
    13. World-Set composer for Asian Scripts
    14. How to add and edit the text in Photoshop
  18. Video and blitheness
    1. Video editing in Photoshop
    2. Edit video and animation layers
    3. Video and animation overview
    4. Preview video and animations
    5. Paint frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Creative Cloud 3D Animation (Preview)
    9. Create timeline animations
    10. Create images for video
  19. Filters and furnishings
    1. Use the Liquify filter
    2. Use the Blur Gallery
    3. Filter nuts
    4. Filter effects reference
    5. Add together Lighting Furnishings
    6. Use the Adaptive Wide Angle filter
    7. Apply the Oil Paint filter
    8. Layer furnishings and styles
    9. Use specific filters
    10. Smudge paradigm areas
  20. Saving and exporting
    1. Salvage your files in Photoshop
    2. Consign your files in Photoshop
    3. Supported file formats
    4. Relieve files in graphics formats
    5. Move designs between Photoshop and Illustrator
    6. Relieve and export video and animations
    7. Save PDF files
    8. Digimarc copyright protection
  21. Printing
    1. Print 3D objects
    2. Print from Photoshop
    3. Print with color management
    4. Contact Sheets and PDF Presentations
    5. Print photos in a picture packet layout
    6. Impress spot colors
    7. Duotones
    8. Impress images to a commercial printing press
    9. Improve color prints from Photoshop
    10. Troubleshoot printing problems | Photoshop
  22. Automation
    1. Creating deportment
    2. Create data-driven graphics
    3. Scripting
    4. Process a batch of files
    5. Play and manage actions
    6. Add conditional actions
    7. Most actions and the Actions panel
    8. Record tools in actions
    9. Add a conditional mode alter to an action
    10. Photoshop UI toolkit for plug-ins and scripts
  23. Colour Direction
    1. Understanding color management
    2. Keeping colors consistent
    3. Color settings
    4. Piece of work with color profiles
    5. Color-managing documents for online viewing
    6. Color-managing documents when press
    7. Color-managing imported images
    8. Proofing colors
  24. Content authenticity
    1. Learn nearly content credentials
    2. Identity and provenance for NFTs
    3. Connect accounts for artistic attribution
  25. 3D and technical imaging
    1. Photoshop 3D | Common questions around discontinued 3D features
    2. Artistic Cloud 3D Blitheness (Preview)
    3. Print 3D objects
    4. 3D painting
    5. 3D panel enhancements | Photoshop
    6. Essential 3D concepts and tools
    7. 3D rendering and saving
    8. Create 3D objects and animations
    9. Paradigm stacks
    10. 3D workflow
    11. Measurement
    12. DICOM files
    13. Photoshop and MATLAB
    14. Count objects in an paradigm
    15. Combine and convert 3D objects
    16. 3D texture editing
    17. Adjust HDR exposure and toning
    18. 3D panel settings

For Photoshop versions earlier than Photoshop CC, some functionality discussed in this article may be bachelor simply if you have Photoshop Extended. Photoshop does not have a split up Extended offering. All features in Photoshop Extended are function of Photoshop.

Timeline animation workflow

To breathing layer content in timeline mode, yous set keyframes in the Timeline panel, as you lot move the electric current-time indicator to a different fourth dimension/frame, and then modify the position, opacity, or mode of the layer content. Photoshop automatically adds or modifies a series of frames between two existing frames—varying the layer properties (position, opacity, and styles) evenly betwixt the new frames to create the appearance of movement or transformation.

For example, if you want to fade out a layer, set the opacity of the layer in the starting frame to 100% and click the Opacity stopwatch for the layer. So motion the electric current-fourth dimension indicator to the time/frame for the ending frame and set the opacity for the same layer to 0%. Photoshop automatically interpolates frames between the start and end frames, and the opacity of the layer is reduced evenly across the new frames.

In add-on to letting Photoshop interpolate frames in an animation, you can as well create a hand-drawn frame-by-frame blitheness by painting on a bare video layer.

If you desire to create a SWF format blitheness, utilize Adobe Flash, Adobe After Furnishings, or Adobe Illustrator.

To create a timeline-based animation, utilise the following general workflow.

1. Create a new document.

Specify the size and background contents. Make sure the pixel aspect ratio and dimensions are advisable for the output of your blitheness. The color style should be RGB. Unless you take special reasons for making changes, leave the resolution at 72 pixels/inch, the scrap depth at 8 bpc, and the pixel aspect ratio at square.

Brand certain the Timeline panel is open. If necessary, click the downpointing arrow in the middle of the panel, choose Create Video Timeline from the card, and then, click the button to the left of the arrow. If the Timeline panel is in frame animation way, click the Catechumen To Video Timeline icon in the lower-left corner of the panel.

ii. Specify the Set Timeline Frame Rate in the panel menu.

Specify the duration and frame rate. See Specify timeline elapsing and frame rate.

Groundwork layers cannot exist animated. If you lot want to animate content, either catechumen the groundwork layer to a normal layer or add any of the post-obit:

  • A new layer for adding content.

  • A new video layer for calculation video content.

  • A new blank video layer for cloning content to or creating hand-drawn animations.

4. Add content to the layer.

5. (Optional) Add together a layer mask.

A layer mask can be used to reveal a portion of the layer's content. You lot can animate the layer mask to reveal unlike portions of the layer's content over time. See Add layer masks.

6. Move the current time indicator to the fourth dimension or frame where you want to set the first keyframe.

seven. Turn on keyframing for a layer property.

Click the triangle adjacent to the layer proper name. A down-pointing triangle displays the layer's backdrop. So, click the stopwatch to set up the start keyframe for the layer belongings you lot desire to animate. You can set keyframes for more than 1 layer property at a time.

8. Movement the current time indicator and change a layer property.

Move the current-time indicator to the time or frame where the layer's belongings changes. Yous tin can do ane or more of the following:

  • Change the position of the layer to brand layer content move.

  • Change layer opacity to make content fade in or out.

  • Change the position of a layer mask to reveal different parts of the layer.

  • Turn a layer mask on or off.

For some types of blitheness, such every bit changing the color of an object, or completely changing the content in a frame, you lot demand additional layers with the new content.

To animate shapes, you breathing the vector mask rather than the shape layer, using the Time‑Vary stopwatch for Vector Mask Position or Vector Mask Enable.

9. Add additional layers with content and edit their layer properties equally needed.

ten. Movement or trim the layer duration bar to specify when a layer appears in an animation.

11. Preview the animation.

Utilise the controls in the Timeline panel to play the animation equally you create it. Then preview the animation in your web browser. You can as well preview the blitheness in the Save For Web dialog box. Meet Previewing video or timeline animations.

You can save the blitheness as an blithe GIF using the Save for Spider web control, or every bit an epitome sequence or video using the Render Video control. You tin can also save information technology in PSD format, which can be imported into Adobe After Effects.

Utilize keyframes to breathing layer backdrop

You can animate different layer backdrop, such as Position, Opacity, and Style. Each modify can occur independently of, or simultaneously with, other changes. If you want to animate different objects independently, it's all-time to create them on separate layers.

Hither are some examples of how you can animate layer properties:

  • Y'all tin animate position past adding a keyframe to the Position belongings, then moving the current time indicator and dragging the layer in the certificate window.

  • You can animate a layer's opacity by adding a keyframe to the Opacity holding, then moving the electric current time indicator and irresolute the layer's opacity in the Layers panel.

  • You can animate 3D backdrop, such as object and photographic camera position. (For more information, run across Create 3D animations.)

To animate a holding using keyframes, you lot must ready at least two keyframes for that property. Otherwise, changes that you make to the layer holding remain in effect for the duration of the layer.

Each layer holding has a Fourth dimension‑Vary stopwatch icon that y'all click to begin animating. When the stopwatch is active for a specific property, Photoshop automatically sets new keyframes whenever you lot change the electric current fourth dimension and the property value. When the stopwatch is inactive for a property, the property has no keyframes. If y'all type a value for a layer property while the stopwatch is inactive, the value remains in event for the duration of the layer. If you deselect the stopwatch, you will permanently delete all of the keyframes for that property.

Choose interpolation method

Interpolation (sometimes called tweening) describes the process of filling in unknown values between ii known values. In digital video and flick, interpolation usually means generating new values between two keyframes. For instance, to move a graphic element 50 pixels to the left in fifteen frames, you'd set up the position of the graphic in the starting time and 15th frames, and mark them both as keyframes. Photoshop interpolates the frames between the two keyframes. Interpolation between keyframes can be used to breathing movement, opacity, styles, and global lighting.

In the Timeline panel, the appearance of a keyframe depends on the interpolation method you choose for the interval between keyframes.

Linear keyframe

Evenly changes the animated property from one keyframe to some other. (The one exception is the Layer Mask Position property which switches between enabled and disabled states abruptly.)

Hold keyframe

Maintains the current belongings setting. This interpolation method is useful for strobe effects, or when you desire layers to appear or disappear suddenly.

To cull the interpolation method for a keyframe, do the following:

  1. In the Timeline panel, select i or more keyframes.

    • Right-click a selected keyframe and cull either Linear Interpolation or Hold Interpolation from the Context carte du jour.

    • Open the panel card and choose either Keyframe Interpolation > Linear or Keyframe Interpolation > Hold.

Move the current-time indicator to a keyframe

Later you lot set the initial keyframe for a holding, Photoshop displays the keyframe navigator, which you tin use to move from keyframe to keyframe or to set up or remove keyframes. When the keyframe navigator diamond is active (yellow), the current-time indicator lies precisely at a keyframe for that layer belongings. When the keyframe navigator diamond is inactive (gray), the current-time indicator lies between keyframes. When arrows appear on each side of the keyframe navigator box, other keyframes for that belongings exist on both sides of the current time.

  1. In the Timeline console, click a keyframe navigator arrow. The pointer to the left moves the current-time indicator to the previous keyframe. The arrow to the right moves the electric current-fourth dimension indicator to the next keyframe.

Select keyframes

  1. In the Timeline panel, do whatsoever of the following:

    • To select a keyframe, click the keyframe icon.

    • To select multiple keyframes, Shift-click the keyframes or drag a pick marquee effectually the keyframes.

    • To select all keyframes for a layer property, click the layer property name adjacent to the stopwatch icon.

Motility keyframes

  1. In the Timeline panel, select i or more keyframes.

  2. Drag any of the selected keyframe icons to the desired time. (If you lot selected multiple keyframes, they move as a grouping and maintain the same time spacing.)

To expand or shrink the spacing of multiple keyframes, Alt-drag (Windows) or Option-drag (Mac Bone) the kickoff or last keyframe in the selection. The keyframe at the reverse stop of the selection remains in identify as you elevate, slowing down or speeding up the animation.

Copy and paste keyframes

You lot can copy keyframes for a property (such as Position) to the same holding in any layer. When you paste keyframes, they reflect the copied start from the current-time indicator.

You tin can re-create keyframes from only 1 layer at a time. When you paste keyframes into another layer, they announced in the respective belongings in the destination layer. The earliest keyframe appears at the current time, and the other keyframes follow in relative gild. The keyframes remain selected after pasting, then you tin can immediately move them in the timeline.

Yous can copy and paste keyframes betwixt more than than i property at a time.

  1. In the Timeline console, brandish the layer holding containing the keyframes yous want to re-create.

  2. Select ane or more than keyframes.

  3. Right-click a selected keyframe, and cull Copy Keyframes.

  4. In the Timeline panel containing the destination layer, move the current-time indicator to the point in time where you want the keyframes to appear.

  5. Select the destination layer.

  6. Open the panel card and choose Paste Keyframes.

Delete keyframes

  1. In the Timeline panel, select one or more than keyframes and exercise one of the following:

    • Right-click (Windows) or Command-click (Mac OS) a selected keyframe, and choose Delete Keyframes from the context card.

    • From the panel menu, choose Delete Keyframes.

Create hand-fatigued animations

You can add together a blank video layer to your document when yous want to create frame-by-frame mitt-drawn animations. Adding a blank video layer above a video layer and so adjusting the opacity of the blank video layer allows you to see the contents of the video layer below. You can then rotoscope the video layer content by painting or cartoon on the blank video layer. Run across also Paint frames in video layers.

If you're animating several independent elements, create separate content on different blank video layers.

  1. Paint or add together content to the layer.

  2. (Optional) In the Timeline panel, choose Enable Onion Skins from the panel carte du jour to enable the onion skin mode.

  3. Motility the current-fourth dimension indicator to the next frame.

  4. Pigment or add content to the layer in a slightly different position from the content in the previous frame.

    You can add a blank video frame, indistinguishable a frame, or delete a frame from the blank video layer by choosing Layer > Video Layers and so choosing the appropriate command.

    Equally you lot create more hand-drawn frames, you tin either drag the current time indicator or use the playback controls to preview your blitheness.

Insert, delete, or indistinguishable blank video frames

A bare video frame can be added to or removed from a blank video layer. Yous can also indistinguishable existing (painted) frames in blank video layers.

  1. In the Timeline console, select the blank video layer and and then movement the current-time indicator to the desired frame.

  2. Choose Layer > Video Layers and then choose ane of the following:

    Insert Blank Frame

    Inserts a blank video frame in the selected blank video layer at the current time.

    Delete Frame

    Deletes the video frame in the selected blank video layer at the electric current time.

    Indistinguishable Frame

    Adds a copy of the video frame at the electric current time in the selected blank video layer.

Specify onion skin settings

Onion skin fashion displays content drawn on the electric current frame plus content fatigued on the surrounding frames. These additional frames announced at the opacity you specify to distinguish them from the electric current frame. Onion pare mode is useful for drawing frame-by-frame animations because it gives yous reference points for stroke positions and other edits.

Onion peel settings specify how previous and afterward frames announced when onion skins are enabled. (See Timeline panel overview.)

  1. Open the Timeline panel and choose Onion Skin Settings.

  2. Specify options for the post-obit:

    Onion Skin Count

    Specifies how many previous and forward frames are displayed. Enter the Frames Earlier (previous frames) and Frames After (forward frames) values in the text boxes.

    Frame Spacing

    Specifies the number of frames between the displayed frames. For case, a value of 1 displays consecutive frames, and a value of 2 displays strokes that are two frames apart.

    Max Opacity

    Sets the per centum of opacity for the frames immediately earlier and after the current time.

    Min Opacity

    Sets the percentage of opacity for the last frames of the before and after sets of onion‑skin frames.

    Blend Mode

    Sets the appearance of the areas where the frames overlap.

    Photoshop Onion skinning

    Onion skinning

    A. Current frame with ane frame subsequentlyB. Electric current frame with both one frame before and afterC. Electric current frame with ane frame before

Open a multilayer animation

You can open animations that were saved in older versions of Photoshop as multilayer Photoshop (PSD) files. The layers are placed in the Timeline panel in their stacking club, with the lesser layer condign the beginning frame.

  1. Choose File > Open, and select the Photoshop file to open.

  2. In the Layers panel, select the layers you want for the animation, and choose Make Frames From Layers from the console menu.

    You can edit the animation, utilize the Save For Spider web control to save an blithe GIF, or employ the Render Video command to salvage the animation as a QuickTime movie.

Source: https://helpx.adobe.com/photoshop/using/creating-timeline-animations.html

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